This deep seated rejection, shame and internalised racism that Sweetness carries is enacted on her daughter, themes that Morrison has explored in this and other works. In her misguided attempts to protect her daughter, Sweetness has in fact enacted the very prejudices she wished to shelter her daughter from, as evidenced by her poor child rearing practices. Towards the end of the narrative, it is revealed that Sweetness has little contact with her daughter and that Lula Ann has become successful in spite of her early training. Sweetness justifies her appalling actions towards her child, representing the most innocent and defenseless of society, through the guise of protection and love. Morrison appears to plead with her audience to consider the ramifications of imposing the social construction of race upon future generations commenting, “What you do to children matters. And they might never forget”.
For further information about the works referenced:
Toni Morrison Sweetness Isabel Allende Phantom Palace
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